Looking at Iberia. A Comparative European Perspective
Editors: Santiago Pérez Isasi e Ângela Fernandes
Publisher: Peter Lang
Date: 2013
Contents
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Looking at Iberia in/from Europe, Santiago Pérez Isasi and Ângela Fernandes
Part I – The New Theoretical Grounds and Methodologies of Iberian Studies
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Iberian Studies: A State of the Art and Future Perspectives, Santiago Pérez Isasi
- Iberian and European Studies – Archaeology of a New Epistemological Field, Teresa Pinheiro
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Modernism and Modernity: Iberian Perspectives, John Macklin
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Europe: The Letter of Numbers. From the Alpha of Peninsular Comparative Literature to the Omega of European Comparative Literature, Gabriel Magalhães
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Thinking from Europe about an Iberian ‘South’: Portugal as a Case Study, Roberto Vecchi
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How to Research Iberian Literatures form a European Perspective? Premises and Contexts, Jüri Talvet
- Literatures in Spain: European Literature, World-Literature, World Literature?, César Domínguez
Part II – Images of Iberia: Historical Perspectives on a Geographical, Political and Cultural Space
- Iberia in Search for a Literary Identity: A Stone Raft?, Maria Fernanda de Abreu
- Do the Portuguese Toot Merrily? – The Image of Portugal, Portuguese History and People in Hungary during the Nineteenth Century, Ferenc Pál
- North and South: Iberian Identity Formation in Romanticism and Post-Romanticism, Derek Flitter
- Centre-Peninsular Considerations on Catalan Literary Regeneration: An Everlasting Code?, Juan M. Ribera Llopis
- Juan Valera’s Iberism, Leonardo Romero Tobar
- Iberism Reconfigured: Between Passion and Utopia, Maria Graciete Besse
Part III – Contemporary Iberia: Plural Identities and Artistic Representation
- Iberian and Romance Identities: Literary Representations of the Centre and the Margins, Ângela Fernandes
- Identities in Diverse Societies in the Novel Bilbao-New York-Bilbao by Kirmen Uribe, Jon Kortázar
- Iberian Identity in the Translation Zone, Helena Buffery
- Polyglot Iberia – or What Is the Place for Iberian Languages in Current Cinema? Presence (and Absence) of Iberian Languages in Cinema, Esther Gimeno Ugalde
Notes on Contributors
Index