{"id":920,"date":"2015-09-29T14:37:49","date_gmt":"2015-09-29T14:37:49","guid":{"rendered":"http:\/\/stage2.comparatistas.umadesign.com\/en\/2015\/09\/29\/pedro-querido\/"},"modified":"2020-07-30T14:43:05","modified_gmt":"2020-07-30T14:43:05","slug":"pedro-querido","status":"publish","type":"post","link":"https:\/\/cec.letras.ulisboa.pt\/en\/research-team\/pedro-querido\/","title":{"rendered":"Pedro Querido"},"content":{"rendered":"<p>PhD Student <!--more--><a href=\"http:\/\/cec.letras.ulisboa.pt\/en\/wp-content\/uploads\/sites\/2\/2015\/09\/foto_PQ-e1522673092828.jpg\" rel=\"attachment wp-att-3801\"><img decoding=\"async\" loading=\"lazy\" class=\"alignright wp-image-3801 \" src=\"http:\/\/cec.letras.ulisboa.pt\/en\/wp-content\/uploads\/sites\/2\/2015\/09\/foto_PQ-e1522673092828-295x300.jpg\" alt=\"\" width=\"152\" height=\"155\" srcset=\"https:\/\/cec.letras.ulisboa.pt\/en\/wp-content\/uploads\/sites\/2\/2015\/09\/foto_PQ-e1522673092828-295x300.jpg 295w, https:\/\/cec.letras.ulisboa.pt\/en\/wp-content\/uploads\/sites\/2\/2015\/09\/foto_PQ-e1522673092828-768x782.jpg 768w, https:\/\/cec.letras.ulisboa.pt\/en\/wp-content\/uploads\/sites\/2\/2015\/09\/foto_PQ-e1522673092828-1005x1024.jpg 1005w, https:\/\/cec.letras.ulisboa.pt\/en\/wp-content\/uploads\/sites\/2\/2015\/09\/foto_PQ-e1522673092828.jpg 1628w\" sizes=\"(max-width: 152px) 100vw, 152px\" \/><\/a><\/p>\n<p><strong>E-mail: <\/strong><a href=\"mailto:pedroq@campus.ul.pt\" target=\"_blank\">pedroq@campus.ul.pt<\/a><\/p>\n<p>&nbsp;<\/p>\n<p style=\"font-weight: 400\"><strong>Biographical note<\/strong><\/p>\n<p style=\"font-weight: 400\">Pedro Querido (MA in English Literature, University of London, 2009; MA in Teaching English and German, New University of Lisbon, 2012) is a student in the international PhD programme in Comparative Studies\u00a0<a href=\"http:\/\/phdcomp.letras.ulisboa.pt\/?lang=en_us\">PHDCOMP<\/a>. His current research focuses on the theme of old age in mid-twentieth-century radio art, and his research interests include twentieth-century fiction and drama, comparative literature, and irrationality in literature.<\/p>\n<p style=\"font-weight: 400\"><strong>Main areas of research<\/strong><\/p>\n<ul style=\"font-weight: 400\">\n<li>Mid-twentieth century fiction and drama;<\/li>\n<li>Comparative literature;<\/li>\n<li>Irrationality in literature.<\/li>\n<\/ul>\n<p><b class=\"subtitulo\">Selected publications<\/b><\/p>\n<ul>\n<li>2020 (forthcoming). \u201cThe Aged Radio Body: Corporeality and Old Age in\u00a0<em>All That Fall<\/em>\u201d<em>.\u00a0<\/em><em>Journal of Beckett Studies<\/em>.<\/li>\n<li>2019.<em>\u00a0<a href=\"https:\/\/brill.com\/view\/title\/39598\">On Fear, Horror, and Terror: Giving Utterance to the Unutterable<\/a><\/em>, edited by Pedro Querido and Mar\u00eda Ib\u00e1\u00f1ez-Rodr\u00edguez. Leiden: Brill.<\/li>\n<li>2019.<a href=\"https:\/\/www.jstor.org\/stable\/10.5699\/modelangrevi.114.3.0423?seq=1\">\u201cNon-Embodied Old Voices? Problematizing Old Age, Embodiment, and Scepticism in Radio Art\u201d<\/a>.\u00a0<em>Modern Language Review\u00a0<\/em>114:3, 423-443.<\/li>\n<\/ul>\n<ul>\n<li>2019. \u201c<a href=\"https:\/\/necsus-ejms.org\/mid-twentieth-century-radio-art-the-ontological-insecurity-of-the-radio-text\/\">Mid-Twentieth Century Radio Art: The Ontological Insecurity of the Radio Text<\/a>\u201d.<em>NECSUS European Journal of Media Studies<\/em>8:2, 91-111.<\/li>\n<\/ul>\n<ul>\n<li>2018.\u00a0<a href=\"http:\/\/dx.doi.org\/10.5325\/haropintrevi.2.1.0059\">\u201cConsidering Old Age and the Absurd in Harold Pinter\u2019s<em>A Slight Ache<\/em>\u201d<\/a>.<em>\u00a0Harold Pinter Review<\/em>\u00a02:1, 59-81.<\/li>\n<\/ul>\n<ul>\n<li>2017.\u00a0<a href=\"http:\/\/dx.doi.org\/10.5699\/modelangrevi.112.4.0765\">\u201cFrom Kharms to Camus: Towards a Definition of the Absurd as Resistance\u201d<\/a>.<em>Modern Language Review<\/em>\u00a0112:4, 765-792.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>PhD Student<\/p>\n","protected":false},"author":16,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[66,14],"tags":[],"_links":{"self":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts\/920"}],"collection":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/comments?post=920"}],"version-history":[{"count":6,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts\/920\/revisions"}],"predecessor-version":[{"id":6725,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts\/920\/revisions\/6725"}],"wp:attachment":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/media?parent=920"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/categories?post=920"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/tags?post=920"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}