{"id":774,"date":"2014-03-20T15:05:10","date_gmt":"2014-03-20T15:05:10","guid":{"rendered":"http:\/\/stage2.comparatistas.umadesign.com\/en\/2014\/03\/20\/mario-jorge-torres\/"},"modified":"2019-03-21T11:27:10","modified_gmt":"2019-03-21T11:27:10","slug":"mario-jorge-torres-3","status":"publish","type":"post","link":"https:\/\/cec.letras.ulisboa.pt\/en\/research-team\/full-members\/mario-jorge-torres-3\/","title":{"rendered":"M\u00e1rio Jorge Torres"},"content":{"rendered":"<p>Senior Lecturer (retired)<\/p>\n<p><!--more--><\/p>\n<p><b class=\"subtitulo\">E-mail:\u00a0<\/b><a href=\"mailto:mjtorres@mail.doc.fl.ul.pt\">mjtorres@mail.doc.fl.ul.pt<\/a><\/p>\n<p><strong><a href=\"http:\/\/cec.letras.ulisboa.pt\/en\/wp-content\/uploads\/sites\/2\/2014\/03\/ma\u0301rio-jorge-torres-foto.jpg\" rel=\"attachment wp-att-3656\"><img decoding=\"async\" loading=\"lazy\" class=\"alignright size-full wp-image-3656\" src=\"http:\/\/cec.letras.ulisboa.pt\/en\/wp-content\/uploads\/sites\/2\/2014\/03\/ma\u0301rio-jorge-torres-foto.jpg\" alt=\"ma\u0301rio jorge torres foto\" width=\"170\" height=\"250\" \/><\/a>Biographical note<\/strong><\/p>\n<p>M\u00e1rio Jorge Torres is professor emeritus at the University of Lisbon School of Arts and Humanities, where he lectured on North-American literature and culture, North-American cinema, English cinema, Portuguese cinema, film history, film analysis, and film melodrama. He was a film critic for\u00a0<em>P\u00fablico<\/em>\u00a0. As a member of the Centre for Comparative Studies he has collaborated in multiple research projects and coordinated the project \u201c(Re)written on the wind &#8211; melodrama among the arts\u201d. He is presently a collaborator of \u201cRIAL &#8211; Reality and Imagination in Art and Literature\u201d. He is the author of <em>Manoel de Oliveira <\/em>(P\u00fablico\/Cahiers du cin\u00e9ma, 2008), and he organized\u00a0<em>N\u00e3o Vi o Livro, mas Li o Filme\u00a0<\/em>(H\u00famus, 2008) and co-organized\u00a0<em>O Concerto das Artes<\/em>\u00a0(Campo das Letras, 2007).<\/p>\n<p><b class=\"subtitulo\">Main areas of research<\/b><\/p>\n<ul>\n<li>North-American Literature and Culture;<\/li>\n<li>Comparative Literature;<\/li>\n<li>Film Studies.<\/li>\n<\/ul>\n<p><b class=\"subtitulo\">Selected publications<\/b><\/p>\n<p><em><strong>Books (author)<\/strong><\/em><\/p>\n<ul>\n<li>2008.<em> Manoel de Oliveira<\/em>. Colec\u00e7\u00e3o Grandes Realizadores, n.\u00ba 25. Lisboa: P\u00fablico\/Cahiers du cin\u00e9ma.<\/li>\n<\/ul>\n<p><em><strong>Books (editor)<\/strong><\/em><\/p>\n<ul>\n<li>2008.<em> N\u00e3o Vi o Livro, mas Li o Filme<\/em>. V.N. Famalic\u00e3o.<\/li>\n<li>2007.<em> O Concerto das Artes <\/em>(c\/ Kelly Bas\u00edlio, Paula Mor\u00e3o, Teresa Amado). Porto: Campo das Letras.<\/li>\n<\/ul>\n<p><em><strong>Articles<\/strong><\/em><\/p>\n<ul>\n<li>2016. \u201c<em>Yes, Monsieur Demy<\/em>: a autobiografia de um cineasta \u00e0 beira da morte, <em>escrita em filme <\/em>por interposto <em>olhar<\/em>\u201d,\u00a0<em>in<\/em>Clara Rowland e Tom Conley,\u00a0<em>Falso Movimento: Ensaios sobre Escrita e Cinema<\/em>. Lisboa: Cotovia. 199-212.<\/li>\n<li>2015. \u201cReconstructing Whitman: para uma revisita de <em>Manhatta <\/em>de Paul Strand e Charles Sheeler, poema cinematogr\u00e1fico modernista\u201d,\u00a0<em>in\u00a0<\/em>Clara Rowland e Jos\u00e9 B\u00e9rtolo (org.),\u00a0<em>A Escrita do Cinema: Ensaios<\/em>. Lisboa: Documenta.155-169.<\/li>\n<li>2015. \u201cAs boas e as m\u00e1s inten\u00e7\u00f5es: para uma releitura de <em>Nazar\u00e9<\/em> de Manuel Guimar\u00e3es, a obra maior do cinema neo-realista portugu\u00eas\u201d, <em>in <\/em>Leonor Areal (org.), <em>Manuel Guimar\u00e3es: Sonhador Ind\u00f3mito<\/em>. Vila Franca de Xira: Museu do Neo-Realismo. 112-125.<\/li>\n<li>2006. \u201cO <em>Mamoulian touch<\/em> ou a arte suprema do musical integrado\u201d, <em>in <\/em>Manuel Cintra Ferreira (org.), <em>Rouben Mamoulian<\/em>. Lisboa: Cinemateca Portuguesa \u2013 Museu do Cinema. 106-127.<\/li>\n<li>2002. \u201cEntre dois espelhos \u2013 Douglas Sirk ou o ecletismo do sentimento\u201d, <em>in <\/em>Antonio Rodrigues (org.), <em>Douglas Sirk<\/em>. Lisboa: Cinemateca Portuguesa \u2013 Museu do Cinema. 46-81.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/cec.letras.ulisboa.pt\/en\/research-groups\/theleme\/rial-reality-and-imagination-in-art-and-literature\/\">RIAL \u2013 Reality and Imagination in Art and Literature\/THELEME<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Senior Lecturer (retired)<\/p>\n","protected":false},"author":7,"featured_media":56,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[61],"tags":[],"_links":{"self":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts\/774"}],"collection":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/comments?post=774"}],"version-history":[{"count":8,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts\/774\/revisions"}],"predecessor-version":[{"id":5807,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts\/774\/revisions\/5807"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/media\/56"}],"wp:attachment":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/media?parent=774"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/categories?post=774"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/tags?post=774"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}