{"id":720,"date":"2014-03-07T15:48:46","date_gmt":"2014-03-07T15:48:46","guid":{"rendered":"http:\/\/stage2.comparatistas.umadesign.com\/en\/2014\/03\/07\/jose-bertolo\/"},"modified":"2021-04-06T09:26:05","modified_gmt":"2021-04-06T09:26:05","slug":"jose-bertolo","status":"publish","type":"post","link":"https:\/\/cec.letras.ulisboa.pt\/en\/research-team\/jose-bertolo\/","title":{"rendered":"Jos\u00e9 B\u00e9rtolo"},"content":{"rendered":"<h6 class=\"alignnone\">PhD Researcher<!--more--><\/h6>\n<p class=\"subtitulo\"><strong>E-mail:<\/strong> <b> <\/b><span style=\"color: #db0962\"> <a href=\"mailto:jlbertolo@gmail.com\">jlbertolo@gmail.com<\/a><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Biographical note<\/strong><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-6957 alignright\" src=\"http:\/\/cec.letras.ulisboa.pt\/en\/wp-content\/uploads\/sites\/2\/2014\/03\/foto-be\u0301rtolo-1-300x300.jpg\" alt=\"foto be\u0301rtolo (1)\" width=\"196\" height=\"196\" srcset=\"https:\/\/cec.letras.ulisboa.pt\/en\/wp-content\/uploads\/sites\/2\/2014\/03\/foto-be\u0301rtolo-1-300x300.jpg 300w, https:\/\/cec.letras.ulisboa.pt\/en\/wp-content\/uploads\/sites\/2\/2014\/03\/foto-be\u0301rtolo-1-150x150.jpg 150w, https:\/\/cec.letras.ulisboa.pt\/en\/wp-content\/uploads\/sites\/2\/2014\/03\/foto-be\u0301rtolo-1-768x768.jpg 768w, https:\/\/cec.letras.ulisboa.pt\/en\/wp-content\/uploads\/sites\/2\/2014\/03\/foto-be\u0301rtolo-1.jpg 800w\" sizes=\"(max-width: 196px) 100vw, 196px\" \/><\/p>\n<p style=\"text-align: justify\">Jos\u00e9 B\u00e9rtolo completed his PhD in Comparative Studies (2019) at the University of Lisbon, (joint partnership with the U. Bologna (Italy) and KU Leuven (Belgium)) with a\u00a0PhD Fellowship from FCT. He has been a member of the Centre for Comparative Studies since 2013 and he also integrates the research team of C\u00e1tedra Cascais Interartes. Between 2013 and 2016 he held a Scientific Research Grant in the FCT-funded project False Movement \u2014 Studies on Writing and Film. He co-founded CEC clusters Cinema and the World \u2014 Studies on Space and Cinema, (Re)Written on the Wind \u2014 Melodrama among the Arts, and RIAL \u2013 Reality and Imagination in Art and Literature. Currently, he collaborates with RIAL, where he coordinates the line of research \u201cImage\u201d. He was a Teaching Assistant at the U. Lisbon in 2017-2018 (teaching Film Analysis), and a Visiting Research Assistant at Universit\u00e9 Sorbonne Nouvelle \u2014 Paris 3 (2019). He has curated film cycles in academic and cultural institutions (U.Lisbon School of Arts and Humanities, Cinemateca Portuguesa, among others), published books and articles on film studies, and presented work in Portugal, France and the UK. In 2020, he co-edited, with Margarida Medeiros, a special issue of the <em>Journal of Communication and Languages<\/em> dedicated to \u201cPhotography, Cinema, and the Ghostly\u201d.<\/p>\n<p>\u00a0<strong>Main areas of research<\/strong><\/p>\n<ul>\n<li>Film theory and philosophy (representation, figuration, ontology and materiality);<\/li>\n<li>Film history (French cinema, Portuguese cinema, silent film, avant-gardes and new waves);<\/li>\n<li>Film analysis;<\/li>\n<li>Intermediality (film, literature, photography, painting);<\/li>\n<li>Realism and spectrality in art.<\/li>\n<\/ul>\n<p style=\"text-align: justify\"><strong>Selected publications<\/strong><\/p>\n<p style=\"text-align: justify\"><strong><em>Books (author and editor)<\/em><\/strong><\/p>\n<ul style=\"text-align: justify\">\n<li>B\u00e9rtolo, Jos\u00e9 (2020), <a href=\"https:\/\/www.sistemasolar.pt\/pt\/produto\/526\/pt\/espectros-do-cinema-manoel-de-oliveira-e-joao-pedro-rodrigues\/?c=39&amp;sc=16\"><em>Espectros do Cinema: Manoel de Oliveira e Jo\u00e3o Pedro Rodrigues<\/em><\/a>. Lisboa: Documenta<\/li>\n<li>B\u00e9rtolo, Jos\u00e9, Fernando Guerreiro and Clara Rowland (2020), <a href=\"https:\/\/e-primatur.com\/projectos\/detalhe\/164\"><em>Imita\u00e7\u00f5es da Vida: Cinema Cl\u00e1ssico Americano \u2014 Ensaios para M\u00e1rio Jorge Torres<\/em><\/a>. Lisboa: Bookbuilders.<\/li>\n<li>B\u00e9rtolo, Jos\u00e9 and Fernando Guerreiro (2019), <a href=\"https:\/\/repositorio.ul.pt\/bitstream\/10451\/37995\/1\/Morte%20e%20Espectralidade-DIGITAL.pdf\"><em>Morte e Espectralidade nas Artes e na Literatura<\/em><\/a><em>. <\/em>N. Famalic\u00e3o: H\u00famus.<\/li>\n<li><em>B\u00e9rtolo, Jos\u00e9 (2016), <\/em><a href=\"https:\/\/repositorio.ul.pt\/handle\/10451\/45800\"><em>Sobreimpress\u00f5es: Leituras de Filmes<\/em><\/a><em>. <\/em>Lisboa: Documenta.<\/li>\n<li>B\u00e9rtolo, Jos\u00e9 (2016), <a href=\"https:\/\/www.sistemasolar.pt\/pt\/produto\/284\/pt\/imagens-em-fuga-os-fantasmas-de-francois-truffaut\/\"><em>Imagens em Fuga: Os Fantasmas de Fran\u00e7ois Truffaut<\/em><\/a>. Lisboa: Documenta.<\/li>\n<li>B\u00e9rtolo, Jos\u00e9 and Clara Rowland (org.) (2015) <a href=\"https:\/\/www.sistemasolar.pt\/pt\/produto\/218\/pt\/a-escrita-do-cinema-ensaios\/\"><em>A Escrita do Cinema: Ensaios<\/em><\/a>. Lisboa: Documenta.<\/li>\n<\/ul>\n<p style=\"text-align: justify\"><strong><em>Articles and book chapters<\/em><\/strong><\/p>\n<ul>\n<li style=\"text-align: justify\">2021 \u201c<a href=\"https:\/\/aim.org.pt\/ojs\/index.php\/revista\/article\/view\/732\">Um Cinema da Mente: <\/a><a href=\"https:\/\/aim.org.pt\/ojs\/index.php\/revista\/article\/view\/732\"><em>A Dan\u00e7a dos Paroxismos<\/em><\/a><a href=\"https:\/\/aim.org.pt\/ojs\/index.php\/revista\/article\/view\/732\"> e a Primeira Vanguarda Francesa<\/a>\u201d, <em>aniki: Portuguese Journal of the Moving Image<\/em>, V. 8, N.\u00ba 1, 4-26.<\/li>\n<li style=\"text-align: justify\">2020 \u201c<a href=\"https:\/\/rcl.fcsh.unl.pt\/index.php\/rcl\/article\/view\/16\/22\">Photography, Cinema, and the Ghostly: A Short Introduction<\/a>\u201d (with Margarida Medeiros), <em>Journal of Communication and Languages<\/em>, Issue 53, 15-21.<\/li>\n<li style=\"text-align: justify\">2020 \u201c<a href=\"https:\/\/revistas.ucp.pt\/index.php\/jsta\/article\/view\/9379\">The Invisible Woman: <\/a><a href=\"https:\/\/revistas.ucp.pt\/index.php\/jsta\/article\/view\/9379\"><em>Rebecca<\/em><\/a><a href=\"https:\/\/revistas.ucp.pt\/index.php\/jsta\/article\/view\/9379\">, after an Audiovisual Essay by R.V. Lisboa<\/a>\u201d, <em>Journal of Science and Technology of the Arts<\/em>, Issue 5, 138-142.<\/li>\n<li style=\"text-align: justify\">2019 \u201c<a href=\"https:\/\/repositorio.ul.pt\/handle\/10451\/37989\">Falar na l\u00edngua dos mortos: Wenceslau de Moraes e Paulo Rocha<\/a>\u201d, <em>in<\/em> Fernando Guerreiro\u00a0and Jos\u00e9 B\u00e9rtolo (eds.), <em>Morte e Espectralidade nas Artes e na Literatura<\/em>. V.N. Famalic\u00e3o: H\u00famus, 77-93.<\/li>\n<li>2017 \u201c<a href=\"https:\/\/repositorio.ul.pt\/handle\/10451\/34694\">\u00abUm lugar indeciso\u00bb: geografias do imagin\u00e1rio no ciclo asi\u00e1tico de Jo\u00e3o Pedro Rodrigues e Jo\u00e3o Rui Guerra da Mata<\/a>\u201d, <em>in<\/em> Catarina Nunes Almeida\u00a0and Marta Pacheco Pinto (orgs.), <em>O Oriente em Tradu\u00e7\u00e3o: L\u00ednguas, Literaturas e Culturas Asi\u00e1ticas no Espa\u00e7o Luso<\/em>. V.N. Famalic\u00e3o: H\u00famus, 51-67.<\/li>\n<li style=\"text-align: justify\">2017 \u201c<a href=\"https:\/\/repositorio.ul.pt\/handle\/10451\/36475\">Conjuring the Dead in Henry James\u2019s <\/a><a href=\"https:\/\/repositorio.ul.pt\/handle\/10451\/36475\"><em>The Altar of the Dead<\/em><\/a><a href=\"https:\/\/repositorio.ul.pt\/handle\/10451\/36475\"> and Fran\u00e7ois Truffaut\u2019s <\/a><a href=\"https:\/\/repositorio.ul.pt\/handle\/10451\/36475\"><em>La chambre verte<\/em><\/a>\u201d, <em>in<\/em> Donata Meneghelli\u00a0and Massimo Fusillo (eds.), <em>A Story Is Always Born Twice: Issues on Adaptation. Lentini: Duetredue Edizioni<\/em>, 15-28.<\/li>\n<\/ul>\n<p><a href=\"http:\/\/cec.letras.ulisboa.pt\/en\/research-groups\/theleme\/rial-reality-and-imagination-in-art-and-literature\/\">RIAL \/<\/a> <a href=\"http:\/\/cec.letras.ulisboa.pt\/en\/research-groups\/theleme\/\">THELEME<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>PhD Researcher<\/p>\n","protected":false},"author":7,"featured_media":6957,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[61,14],"tags":[],"_links":{"self":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts\/720"}],"collection":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/comments?post=720"}],"version-history":[{"count":8,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts\/720\/revisions"}],"predecessor-version":[{"id":6960,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts\/720\/revisions\/6960"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/media\/6957"}],"wp:attachment":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/media?parent=720"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/categories?post=720"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/tags?post=720"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}