{"id":666,"date":"2014-01-06T11:20:16","date_gmt":"2014-01-06T11:20:16","guid":{"rendered":"http:\/\/stage2.comparatistas.umadesign.com\/en\/2014\/01\/06\/dedalus-a-ilha-e-os-mapas-da-cultura\/"},"modified":"2019-03-21T11:57:18","modified_gmt":"2019-03-21T11:57:18","slug":"dedalus-a-ilha-e-os-mapas-da-cultura","status":"publish","type":"post","link":"https:\/\/cec.letras.ulisboa.pt\/en\/dedalus\/dedalus-a-ilha-e-os-mapas-da-cultura\/","title":{"rendered":"Dedalus – N.\u00ba 11\/12 (A Ilha e os Mapas da Cultura)"},"content":{"rendered":"

Editor: <\/b>Dedalus – Revista de Literatura Comparada
\n<\/b>Publisher:<\/b> Edi\u00e7\u00f5es Cosmos
\n<\/a>Year<\/b>: 2008 <\/p>\n

\n

Revista Dedalus – A Ilha e os Mapas da Cultura\/The Island and the Cultural Maps<\/p>\n

Table of Contents:<\/strong><\/p>\n

    \n
  • Vita Fortunati, “Envisioning Utopian Spaces in the Future”<\/li>\n
  • Lourdes de C\u00e2ncio Martins, “From Cartography to Literature: Memory of the Islands and Utopia”<\/li>\n
  • Ana Isabel Moniz, “Les traces de la m\u00e9moire: une \u00eele dans le parcours d’Helena Marques”<\/li>\n
  • Patrick Parrinder, “Past, Present and Future on the ‘Human Island’: H. G. Well’s Mr Blettsworthy on Rampole Island”<\/i><\/li>\n
  • Rita Monticelli, “Death, Memory and Resistance in Critical Dystopias”<\/li>\n
  • John Gilmore, “The Rock Island and Identity in Barbados”<\/li>\n
  • Jos\u00e9 Pedro Serra, “Mythical Islands between Reality and Utopia”<\/li>\n
  • Jos\u00e9 Eduardo Reis, “O mar visto da terra aqui \u00e0 nossa volta”<\/li>\n
  • Serafina Martins, “A ilha maravilhosa – Sobre O Livro de San Mich\u00e8le<\/i> de Axel Munthe”<\/li>\n
  • Tereja Ara\u00fajo, “A tradi\u00e7\u00e3o madeirense e a tradi\u00e7\u00e3o sefardita de Marrocos: mem\u00f3rias \u00fanicas de um romance de amor il\u00edcito”<\/li>\n
  • Leonor Martins Coelho, “Ilha: porto de abrigo – do sufoco \u00e0 supera\u00e7\u00e3o na escrita de Irene Luc\u00edlia Andrade e na de Margarida Gon\u00e7alves Marques”<\/li>\n
  • Adriana Corrado, “Of vanished lands and disappearing isles…”<\/li>\n
  • Tiina Aunin, “Lake of Love – Literary Space Transcending Cultural Boundaries: Tania Alexander’s Memoirs of a Lost World<\/i>“<\/li>\n
  • Valentina Fenga, “Being Human: Eternal Life and Post-humanity in Michel Houellebecq’s La possibilit\u00e9 d’une \u00eele<\/i>“<\/li>\n
  • Alcina de Sousa, “Mapping out Real and Imaginary Settings: Cohesion in Hamilton’s The Speckled People<\/i>“<\/li>\n
  • Minh Ha Lo-Cicero, “L’\u00cele de Mad\u00e8re, inspiratrice du r\u00e9cit contemporain. Probl\u00e8mes de coh\u00e9sion et de coh\u00e9rence pos\u00e9s par la traduction: Portugais – Fran\u00e7ais”<\/li>\n
  • C\u00e9lia Carvalho, “Le Cantique du Pays Emerg\u00e9<\/i> de Nat\u00e1lia Correia. A propos de mythe et d’insularit\u00e9”<\/li>\n
  • Celina Martins, “A Madeira de Nat\u00e1lia: a pintura dos feiti\u00e7os”<\/li>\n
  • Isilda Leit\u00e3o, “Percorrendo caminhos com Nat\u00e1lia: uma viagem \u00e0 Ilha de Circe<\/i>“<\/li>\n
  • Lu\u00edsa Marinho Antunes, “Not\u00edcias sobre a Literatura no Brasil – Algumas Contribui\u00e7\u00f5es do Peri\u00f3dico Madeirense A Justi\u00e7a<\/i> (1858-1860)”<\/li>\n
  • Ana Margarida Salgueiro Rodrigues, “Heran\u00e7as (des)ocultas em Chuva Braba<\/i>: Escol\u00e1stica ou a subvers\u00e3o do paradigma liter\u00e1rio feminino medieval”<\/li>\n
  • Maria Teresa Nascimento, “A ilha a tr\u00eas”<\/li>\n
  • Fernando Figueiredo, “Herberto Helder, 16\u00baW-32\u00baN-Recep\u00e7\u00e3o cr\u00edtica”<\/li>\n
  • Frank Lestringant, “Mad\u00e8re, les \u00eeles Portugaises de l’Atlantique et l’Insulaire de la Renaissance”<\/li>\n
  • Eleni Kassapi\/Margarita Mitsika, “The Translation of G. Pappaffy Archive: Public Discourse and the Greek Community in the 19th Century Malta”<\/li>\n
  • Evdokia Meleziadou, “Giorgio di Chirico and Alberto Savinio. Brothers and Argonauts”<\/li>\n
  • Laura Fernanda Bulger, “The enigma of the Baroness from Madalena do Mar”<\/li>\n
  • Daniela Kato, “Les \u00e9l\u00e9ments culturels du monde imaginaire de la litt\u00e9rature enfantine contemporaine”<\/li>\n
  • Luis Dias Martins, “In der Strafkolonie<\/i> (Kafka)\/Le D\u00e9peupleur<\/i> (Beckett): deux mod\u00e8les de dys-topie”<\/li>\n
  • Maria Helena Silva, “\u00abCartographie de l’origine et qu\u00eate de l’utopie”\u00bb – J.M. G. Le Cl\u00e9zio”<\/li>\n
  • Paula Pires Santos, “Insularit\u00e9s romanesques. Des mythes et de l’utopie”<\/li>\n
  • Maria Elisete Almeida, “Ile – Ilha, palavra-chave em La Chute<\/i> – A Queda ou o di\u00e1logo da solid\u00e3o no universo de Albert Camus”<\/li>\n
  • Maria Madalena Teixeira da Silva, “Geografia po\u00e9tica da ilha. Contributos para a defini\u00e7\u00e3o do ser e da poesia”<\/li>\n
  • Maria Margarida de Maia Gouveia, “Os A\u00e7ores sob o \u00absigno Atl\u00e2ntico\u00bb”<\/li>\n
  • Ana Cristina Correia Gil, “A \u00abilha ib\u00e9rica\u00bb em A jangada de pedra<\/i> de Jos\u00e9 Saramago”<\/li>\n
  • Thierry Proen\u00e7a dos Santos, “Gera\u00e7\u00f5es, Antologias e outras Afinidades Liter\u00e1rias: A Constru\u00e7\u00e3o de uma Identidade Cultural na Madeira”<\/li>\n
  • Helena Rebelo, “Ernesto Schmitz. Um interessado em quest\u00f5es lingu\u00edsticas?”<\/li>\n<\/ul>\n

    Recens\u00f5es:<\/b><\/p>\n

      \n
    • Gon\u00e7alo Cordeiro, “Ana Raquel Fernandes. O P\u00edcaro e o \u00abRogue\u00bb. Sobreviv\u00eancia e Metamorfose de Daniel Defoe e a Julian Barnes<\/i> (Lisboa: Colibri, 2006).<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"

      Editor: Dedalus – Revista de Literatura Comparada Publisher: Edi\u00e7\u00f5es Cosmos Year: 2008<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[73],"tags":[],"_links":{"self":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts\/666"}],"collection":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/comments?post=666"}],"version-history":[{"count":8,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts\/666\/revisions"}],"predecessor-version":[{"id":5864,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts\/666\/revisions\/5864"}],"wp:attachment":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/media?parent=666"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/categories?post=666"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/tags?post=666"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}