{"id":557,"date":"2013-11-19T15:03:29","date_gmt":"2013-11-19T15:03:29","guid":{"rendered":"http:\/\/stage2.comparatistas.umadesign.com\/en\/2013\/11\/19\/fernanda-mota-alves\/"},"modified":"2019-03-21T11:17:07","modified_gmt":"2019-03-21T11:17:07","slug":"fernanda-mota-alves","status":"publish","type":"post","link":"https:\/\/cec.letras.ulisboa.pt\/en\/research-team\/full-members\/fernanda-mota-alves\/","title":{"rendered":"Fernanda Mota Alves"},"content":{"rendered":"<p>Senior Lecturer\u00a0<!--more--><\/p>\n<p><span style=\"color: #000000\"><strong>E-mail: <\/strong><a href=\"mailto:alvesfernanda51@yahoo.de\" target=\"_blank\">alvesfernanda51@yahoo.de<\/a><\/span><b class=\"subtitulo\"><br \/>\n<img decoding=\"async\" loading=\"lazy\" class=\" wp-image-3057 alignright\" src=\"http:\/\/cec.letras.ulisboa.pt\/en\/wp-content\/uploads\/sites\/2\/2013\/11\/foto_FMA3final-300x225.jpg\" alt=\"foto_FMA3final\" width=\"174\" height=\"130\" srcset=\"https:\/\/cec.letras.ulisboa.pt\/en\/wp-content\/uploads\/sites\/2\/2013\/11\/foto_FMA3final-300x225.jpg 300w, https:\/\/cec.letras.ulisboa.pt\/en\/wp-content\/uploads\/sites\/2\/2013\/11\/foto_FMA3final-768x576.jpg 768w, https:\/\/cec.letras.ulisboa.pt\/en\/wp-content\/uploads\/sites\/2\/2013\/11\/foto_FMA3final-1024x768.jpg 1024w\" sizes=\"(max-width: 174px) 100vw, 174px\" \/><b class=\"subtitulo\"><b class=\"subtitulo\"><b class=\"subtitulo\"><b class=\"subtitulo\"><b class=\"subtitulo\"><b class=\"subtitulo\"><b class=\"subtitulo\"><b class=\"subtitulo\"><b class=\"subtitulo\"><\/b><\/b><\/b><\/b><\/b><\/b><\/b><\/b><\/b><\/b><\/p>\n<p><b class=\"subtitulo\"><b class=\"subtitulo\"><b class=\"subtitulo\"><b class=\"subtitulo\"><b class=\"subtitulo\"><b class=\"subtitulo\"><b class=\"subtitulo\"><b class=\"subtitulo\"><b class=\"subtitulo\"><b class=\"subtitulo\">Biographical note<\/b><\/b><\/b><\/b><\/b><\/b><\/b><\/b><\/b><br \/>\n<\/b><\/p>\n<p>Fernanda Mota Alves is a Senior Lecturer, having obtained her PhD in German Literture in 1989, and has been researching and teaching in the areas of German Literature and Comparative Studies. She is currently the Director of the Center for Comparative Studies.<\/p>\n<p><strong>Main areas of research<\/strong><\/p>\n<ul>\n<li>Comparative Studies;<\/li>\n<li>German Studies.<\/li>\n<\/ul>\n<p><strong>Research topics<\/strong><\/p>\n<ul>\n<li>German Literature of the 19th and 20th centuries;<\/li>\n<li>Contemporary German Literature;<\/li>\n<li>Urban Cultural Studies;<\/li>\n<li>Memory Studies;<\/li>\n<li>Aeshetics of Emotions;<\/li>\n<li>Transculturality.<\/li>\n<\/ul>\n<p align=\"justify\"><b class=\"subtitulo\"> Selected publications<\/b><\/p>\n<ul>\n<li>&#8220;Unheimliche Heimat Europa \u2013 Geschichtsbewusstsein und Melancholie in G. W. Sebalds Werk\u201c, in Carmen Bescansa, Garbi\u00f1e Iztueta u. Mario Saalbach (Hgg.) <em>Raum-Gef\u00fchl-Heimat: Literarische Repr\u00e4sentationen nach 1945<\/em> LiteraturWissenschaft, Marburg. <a href=\"https:\/\/ehutb.ehu.eus\/video\/58c6704bf82b2bf80f8b45ce\" target=\"_blank\">More info<\/a>.<\/li>\n<li>\u201cStories of oblivion and remembrance: transcontinental memory in the fiction of Jonathan Safran Foer\u201d in M\u00e1rio Matos, Joanna Paisana e Margarida Esteves Pereira (Eds.), <em>Transamnesia. <\/em><em>Mapping Displaced Memories<\/em>. V.N.Famalic\u00e3o: H\u00famus, Lisboa.<\/li>\n<li><em>Estudos de Mem\u00f3ria. <\/em><em>Teoria e An\u00e1lise Cultural<\/em> (ed.), V.N.Famalic\u00e3o: H\u00famus, Lisboa.<\/li>\n<li>&#8220;Geistergespr\u00e4che im Friedhof: Erinnerungsmodi und Erz\u00e4hlexperimente in Halbschatten, von Uwe Timm&#8221; in Ana Maria Bernardo, Fernanda Mota Alves e.a., <em>Encontros e Travessias. <\/em><em>Homenagem a Jo\u00e3o Barrento<\/em>, H\u00famus, Lisboa, pp.109-118.<\/li>\n<li>&#8220;Panic City \u2013 Angst und Unsicherheit in den Metropolen als literarisches Thema der Gegenwart\u201d in <em>Angst: L\u00e4hmender Stillstand und Motor des Fortschritts<\/em>, Dietmar Goltschnigg. T\u00fcbingen: Stauffenburg Verlag. 429-435.<\/li>\n<li>\u201cPfeil und Kreis, Fragmentierung und Stillstand. Literarische Darstellung von Zeiterfahrung in der Grobstadt\u201c in Charlotte Grolleg-Edler, Konstanze K\u00e4hne, Evelyn Schalk, <em>Ph\u00e4nomen Zeit. Dimensionen und Strukturen in Kultur und Wissenschaft<\/em>. T\u00fcbingen: Stauffenburg Verlag. 163-167.<\/li>\n<li>&#8220;A Body of Emotions: Trauma and Cultural Memory in Das Judasschaf, by Anne Duden\u201d in <em>Est\u00e9tica das Emo\u00e7\u00f5es, Fernanda Gil Costa e Igor Fur\u00e3o<\/em> (orgs.). H\u00famus. 235-248.<\/li>\n<li>\u201cErinnerte Geschichte(n): individuelle Identit\u00e4t und kulturelles Ged\u00e4chtnis in Am Beispiel meines Bruders und Der Freund und der Fremde von Uwe Timm<em>.\u201c <\/em>in<em> Rahmenwechsel Kulturwissenschaften<\/em>, Peter Hanenberg, Isabel Capeloa Gil, Filomena Viana Guarda, Fernando Clara (eds.). W\u00fcrzburg.<\/li>\n<li>&#8220;Berlin, London, Paris: der moderne Blick auf die Grobstadt in Heines publizistischen Schriften\u201c, in <em>Harry&#8230; Heinrich&#8230; Henri&#8230; Heine. Deutscher, Jude, Europ\u00e4er<\/em>, Dietmar Goltschnigg, Charlotte Grollegg-Edler, Peter Revers (eds.). Berlin: Erich Schmidt Verlag. 53-66.<\/li>\n<\/ul>\n<p>Some publications are available in <a href=\"http:\/\/repositorio.ul.pt\/browse?type=author&amp;value=Alves%2C+Fernanda+Mota\" target=\"_blank\">the repository of the University of Lisbon<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p class=\"entry-title\"><a href=\"http:\/\/cec.letras.ulisboa.pt\/en\/research-groups\/morphe\/aesthetics-of-memory-and-emotions\/\">Aesthetics of Memory and Emotions \/ MORPHE<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Senior Lecturer\u00a0<\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[61],"tags":[],"_links":{"self":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts\/557"}],"collection":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/comments?post=557"}],"version-history":[{"count":16,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts\/557\/revisions"}],"predecessor-version":[{"id":5772,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts\/557\/revisions\/5772"}],"wp:attachment":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/media?parent=557"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/categories?post=557"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/tags?post=557"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}