{"id":5196,"date":"2019-02-25T15:26:01","date_gmt":"2019-02-25T15:26:01","guid":{"rendered":"http:\/\/cec.letras.ulisboa.pt\/en\/?p=5196"},"modified":"2019-03-07T16:13:02","modified_gmt":"2019-03-07T16:13:02","slug":"act-32-o-oriente-em-traducao","status":"publish","type":"post","link":"https:\/\/cec.letras.ulisboa.pt\/en\/uncategorized\/act-32-o-oriente-em-traducao\/","title":{"rendered":"ACT 32 &#8211; O Oriente em Tradu\u00e7\u00e3o"},"content":{"rendered":"<p><strong>Editors:\u00a0<\/strong>Catarina Nunes de Almeida e Marta Pacheco Pinto<br \/>\n<strong>Publiusher:\u00a0<\/strong>CEC \/\u00a0H\u00famus<br \/>\n<strong>Year:\u00a0<\/strong>2017<!--more--><\/p>\n<p><a href=\"http:\/\/cec.letras.ulisboa.pt\/en\/wp-content\/uploads\/sites\/2\/2019\/02\/Capturar.png\" rel=\"attachment wp-att-5201\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-medium wp-image-5201\" src=\"http:\/\/cec.letras.ulisboa.pt\/en\/wp-content\/uploads\/sites\/2\/2019\/02\/Capturar-208x300.png\" alt=\"Capturar\" width=\"208\" height=\"300\" srcset=\"https:\/\/cec.letras.ulisboa.pt\/en\/wp-content\/uploads\/sites\/2\/2019\/02\/Capturar-208x300.png 208w, https:\/\/cec.letras.ulisboa.pt\/en\/wp-content\/uploads\/sites\/2\/2019\/02\/Capturar.png 480w\" sizes=\"(max-width: 208px) 100vw, 208px\" \/><\/a><\/p>\n<p class=\"p2\"><strong>\u00cdNDICE:<\/strong><\/p>\n<p class=\"p2\"><strong>9<\/strong> EM JEITO DE PREF\u00c1CIO<\/p>\n<p class=\"p3\"><strong>11<\/strong> A KIND OF PREFACE<\/p>\n<p class=\"p2\"><strong>13<\/strong> ENTRE ORIENT ET OCCIDENT: LA TRADUCTION EN TANT QU\u2019EXP\u00c9RIENCE PHILOSOPHIQUE INTERCULTURELLE<\/p>\n<p class=\"p4\">\u00a0 \u00a0 \u00a0Giangiorgio Pasqualotto<\/p>\n<p class=\"p2\"><strong>27<\/strong> TERRA SANTA: E\u00c7A DE QUEIR\u00d3S E PAULA REGO<\/p>\n<p class=\"p4\">\u00a0 \u00a0 \u00a0Isabel Pires de Lima<\/p>\n<p class=\"p2\"><strong>51<\/strong> \u201cUM LUGAR INDECISO\u201d: GEOGRAFIAS DO IMAGIN\u00c1RIO NO CICLO ASI\u00c1TICO DE JO\u00c3O PEDRO RODRIGUES E JO\u00c3O RUI GUERRA DA MATA<\/p>\n<p class=\"p4\">\u00a0 \u00a0 \u00a0Jos\u00e9 B\u00e9rtolo<\/p>\n<p class=\"p2\"><strong>69<\/strong> OS ESTRANGEIROS AOS OLHOS DOS CHINESES: REPRESENTA\u00c7\u00d5ES CHINESAS DE ESTRANGEIROS EM PE\u00c7AS DO MUSEU DO CCCM<\/p>\n<p class=\"p4\">\u00a0 \u00a0 \u00a0Alexandrina Costa<\/p>\n<p class=\"p2\"><strong>89<\/strong> \u201cO NAUFRAGO. CONTO EGYPCIO.\u201d UM ESTUDO DE ESTEVES PEREIRA NAS PRIM\u00cdCIAS DA EGIPTOLOGIA<\/p>\n<p class=\"p4\">\u00a0 \u00a0 \u00a0Catarina Apolin\u00e1rio de Almeida<\/p>\n<p class=\"p2\"><strong>103<\/strong>\u00a0<i>BELKISS<\/i>: EUG\u00c9NIO DE CASTRO E O FASC\u00cdNIO DO ORIENTE ANTIGO<\/p>\n<p class=\"p4\">\u00a0 \u00a0 \u00a0Matteo Rei<\/p>\n<p class=\"p2\"><strong>117<\/strong> VIAJANTES RELUTANTES E NARRATIVAS (IN)SIGNIFICANTES: UMA PORTUGUESA NA \u00c1SIA NO FINAL DO S\u00c9CULO XIX<\/p>\n<p class=\"p4\">\u00a0 \u00a0 Clara Sarmento<\/p>\n<p class=\"p2\"><strong>135<\/strong> PAISAGENS HUMANAS ENTRE O M\u00c9DIO ORIENTE E A \u00c1SIA CENTRAL: O OLHAR SOBRE A CONDI\u00c7\u00c3O FEMININA NAS NARRATIVAS DE VIAGEM DE\u00a0ALEXANDRA LUCAS COELHO<\/p>\n<p class=\"p4\">\u00a0 \u00a0 Catarina Nunes de Almeida<\/p>\n<p class=\"p2\"><strong>149<\/strong> O ORIENTE EM (AUTO)TRADU\u00c7\u00c3O: FORMAS DE RESIST\u00caNCIA NA POESIA DE\u00a0R. V. PANDIT<\/p>\n<p class=\"p4\">\u00a0 \u00a0 Daniela Spina<\/p>\n<p class=\"p2\"><strong>167<\/strong> MAPPING PORTUGUESE ORIENTALISM: THE INTERNATIONAL CONGRESSES OF ORIENTALISTS (1873-1973). INTRODUCTION TO A RESEARCH PROJECT<\/p>\n<p class=\"p4\">\u00a0 \u00a0 Marta Pacheco Pinto<\/p>\n<p class=\"p2\"><strong>199<\/strong> DA TRADU\u00c7\u00c3O CULTURAL E DAS SUAS \u201cFACES ORIENTALISTAS\u201d NO DISCURSO HISTORIOGR\u00c1FICO EM PORTUGAL (S\u00c9CULOS XVI-XIX). REFLEX\u00d5ES EM TORNO DE UM OBJECTO<\/p>\n<p class=\"p4\">\u00a0 \u00a0 Ana Paula Avelar<\/p>\n<p class=\"p2\"><strong>213<\/strong> SOME REMARKS ON MISSIONARY LINGUISTIC DOCUMENTATION AND\u00a0LEXICOGRAPHY: DIAETHNICAL MARKEDNESS IN ALEXANDRE DE RHODES\u2019<i>\u00a0DICTIONARIUM ANNAMITICUM\u00a0<\/i>(1651)<\/p>\n<p class=\"p4\">\u00a0 \u00a0 Otto Zwartjes<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Editors:\u00a0Catarina Nunes de Almeida e Marta Pacheco Pinto Publiusher:\u00a0CEC \/\u00a0H\u00famus Year:\u00a02017<\/p>\n","protected":false},"author":20,"featured_media":5201,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[27,1],"tags":[],"_links":{"self":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts\/5196"}],"collection":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/comments?post=5196"}],"version-history":[{"count":7,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts\/5196\/revisions"}],"predecessor-version":[{"id":5312,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts\/5196\/revisions\/5312"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/media\/5201"}],"wp:attachment":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/media?parent=5196"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/categories?post=5196"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/tags?post=5196"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}