{"id":5133,"date":"2019-02-25T14:32:01","date_gmt":"2019-02-25T14:32:01","guid":{"rendered":"http:\/\/cec.letras.ulisboa.pt\/en\/?p=5133"},"modified":"2019-03-21T11:55:20","modified_gmt":"2019-03-21T11:55:20","slug":"dedalus-n-o-6","status":"publish","type":"post","link":"https:\/\/cec.letras.ulisboa.pt\/en\/dedalus\/dedalus-n-o-6\/","title":{"rendered":"Dedalus \u2013 N.\u00ba 6 (Feminae: Figuras de Identidade)"},"content":{"rendered":"<p><b>Editor:<\/b>\u00a0Dedalus &#8211; Revista de Literatura Comparada\u00a0<strong>Publisher<\/strong><b>:<\/b>\u00a0Edi\u00e7\u00f5es Cosmos\u00a0<b>Year:<\/b>1996<!--more--><\/p>\n<p style=\"text-align: left\"><strong>Table of Contents:<\/strong><\/p>\n<p style=\"text-align: center\">FEMINAE: FIGURAS DE IDENTIDADE<\/p>\n<p>Texto introdut\u00f3rio<\/p>\n<ul>\n<li>Teresa Ferreira de Almeida Alves, Women\u2019s Narratives and the Shifts from the Canon<\/li>\n<li>Elizabeth Russell, Writing Abjection: Janice Galloway\u2019s \u201cThe Trick is to Keep Breathing\u201d<\/li>\n<li>Karin Littau, Reading Thieving Theorizing: Philip Hensher\u2019s \u201cOther Lulus\u201d and Kathy Acker\u2019s \u201cThe Selling of Lulu\u201d<\/li>\n<li>Paula Sofia Sampaio, O Tratamento da Sexualidade em \u201cMiddlemarch\u201d: Sil\u00eancios que Falam o Sexo<\/li>\n<li>Jos\u00e9 Ant\u00f3nio Costa Ideias, Theme and Feminine Identity: A Comparative Reading of the Poetry of Noailles, Myrtiotissa and Polydouri<\/li>\n<li>Kathy Miller, Cultural Geography \u2013 Nomadism, Friendship and War in Margaret Atwood\u2019s \u201cThe Robber Bride\u201d<\/li>\n<li>Ana Gabriela Macedo, Angela Carter e o \u201cProcesso de Descoloniza\u00e7\u00e3o da Linguagem e do Pensamento\u201d<\/li>\n<li>II Congresso da Associa\u00e7\u00e3o Portuguesa de Literatura Comparada<\/li>\n<li>Sess\u00e3o sobre Estudos Feministas<br \/>\n(orgs. Ana Gabriela Macedo e Ana Lu\u00edsa Amaral)<\/li>\n<li>Texto Introdut\u00f3rio<\/li>\n<li>Maria Trigoso, \u201cMulher\u201d e as suas Varia\u00e7\u00f5es Sem\u00e2nticas na Escrita Chinesa<\/li>\n<li>Ang\u00e9lica Soares, A Tens\u00e3o Er\u00f3tica\/Ecol\u00f3gica na Poesia de Ad\u00e9lia Prado e Maria Teresa Horta<\/li>\n<li>Maria Aline Ferreira, Viol\u00eancia e Transgress\u00e3o: Mulheres-Vampiros nos Contos de Alejandra Pizarnik \u201cAcerca de la Condesa Sangrienta\u201d e de Angela Carter \u201cThe Lady of the House of Love\u201d<\/li>\n<li>Paula Soares, O Amor: Da Desloca\u00e7\u00e3o do Centro de Gravidade \u00e0 Contempla\u00e7\u00e3o das Estrelas. Lou Andreas-<\/li>\n<li>Salom\u00e9 e Maria Zambrano em Di\u00e1logo P\u00f3stumo<\/li>\n<li>Ana Lu\u00edsa Vilela, A Gata Borralheira e \u201cO Primo Baz\u00edlio\u201d: C\u00e2none e Variantes de uma Hist\u00f3ria Exemplar<\/li>\n<li>Mesa-Redonda: Isabel Allegro de Magalh\u00e3es, Paula Mor\u00e3o, Ana Maria Braga da Cruz<strong>ESTUDOS<\/strong><\/li>\n<li>Catherine Belsey, Literary Studies in the Postmodern Condition<\/li>\n<li>Rui Estrada, Ret\u00f3rica: Tens\u00e3o e Resist\u00eancia<\/li>\n<li>Steven T\u00f6t\u00f6sy de Zepetnek, The Impact of the Electronic Revolution on Literary Research: A Socio-Semiotic Point of View<\/li>\n<li>Gerald Gillespie, Domesticating Don Juan<\/li>\n<li>Celina Rodrigues Martins, La Carnavalisation du Car\u00eame<\/li>\n<li>Jos\u00e9 Manuel Losada-Goya, L\u2019Espagne dans le Monde Imaginaire de La Fontaine<\/li>\n<li>Hor\u00e1cio Costa, The Fundamental Re-Writing: Religious Texts and Contemporary Narrative (Gore Vidal\u2019s \u201cLive from Golgotha\u201d; Salman Rushdie\u2019s \u201cThe Satanic Verses\u201d; Jos\u00e9 Saramago\u2019s \u201cO Evangelho Segundo Jesus Cristo\u201d)<\/li>\n<li>Eunice Cabral, A Fic\u00e7\u00e3o do P\u00f3s-Guerra. O Sentido do Mundo em Suspenso<\/li>\n<li>Merja de Mattos-Parreira, Elementary; my Dear Watson: The Kleenex Shroud in Barthelme\u2019s \u201cViews of My Father Weeping\u201d<\/li>\n<li>Steven P. Sondrup, Derek Walcott\u2019s Poetics of Cultural Identity<\/li>\n<li>Leonor Simas-Almeida, From the Self \u00e0 l\u2019Autre or the Question of Lost Identities in Melville and Duras<\/li>\n<li>Manuel dos Santos Alves, O Tema do Ex\u00edlio na Obra de E\u00e7a de Queir\u00f3s<\/li>\n<li>Valderez Helena Gil Junqueira, La Construcci\u00f3n de un Simulacro en Pintura<strong>RECENS\u00d5ES<\/strong><\/li>\n<li>Rosa Esteves, Gebhard Rusch (org.), Empirical Approaches to Literature. Proceedings of the Fourth Biannual Conference of the International Society for the Empirical Study of Literature<\/li>\n<li>Manuel Gusm\u00e3o, Silvina Rodrigues Lopes, A Legitima\u00e7\u00e3o em Literatura<\/li>\n<li>Clara Vitorino, Carmen Bobes, Gloria Baamonde, Magdalena Cueto, Emilio Frechilla e In\u00e9s Marful, Historia de la Teoria Literaria. I. La Antig\u00fcedad Grecolatina<\/li>\n<li>Manuel Ribeiro, George Steiner, What is Comparative Literature? An Inaugural Lecture Delievered before the University of Oxford on 11 October 1994<\/li>\n<li>Jos\u00e9 Paulo Pereira, Jos\u00e9 Manuel Lopes, Foregrounded Description in Prose Fiction: Five Cross-Literary Studies<\/li>\n<li>Lu\u00eds Dias Martins, John Frow, Cultural Studies and Cultural Value<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Editor:\u00a0Dedalus &#8211; Revista de Literatura Comparada\u00a0Publisher:\u00a0Edi\u00e7\u00f5es Cosmos\u00a0Year:1996<\/p>\n","protected":false},"author":20,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[73],"tags":[],"_links":{"self":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts\/5133"}],"collection":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/comments?post=5133"}],"version-history":[{"count":5,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts\/5133\/revisions"}],"predecessor-version":[{"id":5860,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts\/5133\/revisions\/5860"}],"wp:attachment":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/media?parent=5133"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/categories?post=5133"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/tags?post=5133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}