{"id":370,"date":"2007-09-01T22:39:28","date_gmt":"2007-09-01T22:39:28","guid":{"rendered":"http:\/\/stage2.comparatistas.umadesign.com\/en\/2007\/09\/01\/memoria-e-esquecimento-dedalus\/"},"modified":"2019-03-21T11:59:25","modified_gmt":"2019-03-21T11:59:25","slug":"memoria-e-esquecimento-dedalus","status":"publish","type":"post","link":"https:\/\/cec.letras.ulisboa.pt\/en\/dedalus\/memoria-e-esquecimento-dedalus\/","title":{"rendered":"Dedalus – N.\u00ba 10 (Mem\u00f3ria e Esquecimento)"},"content":{"rendered":"

Editor:\u00a0<\/b>Dedalus – Revista de Literatura Comparada<\/p>\n

Publisher:<\/b> Edi\u00e7\u00f5es Cosmos<\/p>\n

Year:<\/b> 2005<\/p>\n

<\/b> \u00a0<\/b><\/b><\/p>\n

\n

DEDALUS – Revista Portuguesa de Literatura Comparada, n\u00ba 10 – 2005<\/p>\n

We gather in this volume the papers presented at the International Conference “Mem\u00f3ria e Esquecimento – concep\u00e7\u00e3o, recep\u00e7\u00e3o, intercep\u00e7\u00e3o”, organized by Dedalus<\/i>, in cooperation with the European research Project ACUME – “European Thematic Network on Cultural Memory”, which took place at the School of Arts and Humanities of the University of Lisbon, on January 20 and 21 2005.<\/span><\/p>\n

 <\/p>\n

The book included the following articles:<\/span><\/p>\n

Table of Contents:<\/strong><\/p>\n

MEM\u00d3RIA E ESQUECIMENTO\/UTOPIA<\/strong><\/p>\n

    \n
  • “Collective Memory and Identity in Utopia: the founding myth of its origin”, Vita Fortunati<\/li>\n
  • “L’Utopie, la m\u00e9moire et l’oubli”, Raymond Trousson<\/li>\n
  • “Utopia and the memory of religion”, Vincent Geoghegan<\/li>\n
  • “Memory, place and utopia”, Ruth Levitas<\/li>\n
  • “The Half-Life of Utopia: On Memory and Temporality”, Tom Moylan<\/li>\n
  • “Canonization and Obliteration: The Dialectic of Cultural Memory in Utopia”, Patrick Parrinder<\/li>\n
  • “Lost Memory as a fundamental structural element in Dystopia”, D. Guardamagna<\/li>\n
  • “Memory as the Apocalyptic Heart of Dystopia”, Beatrice Battaglia<\/li>\n
  • “Gulfs of Time, Ties with the Past: Uchronia Re-conceptualised<\/i>“, Paola Spinozzi<\/li>\n
  • “Memory and Oblivion in Utopia III<\/i>, by Pina Martins: the missing statue of Raphael Hythloday”, F\u00e1tima Vieira<\/li>\n
  • “M\u00e9moires d’espaces insulaires. L’imaginaire utopique de l’\u00eele dans Vendredi ou les Limbes du Pacifiques<\/i> de Michel Tournier<\/li>\n
  • “A paisagem na utopia. The Dispossessed<\/i>, de Ursula Le Guin”, Cristina Firmino<\/li>\n
  • “The Prison House of Genes: Cellular Memory and New Scenes of Conception in Jacques Testart’s \u00c8ve ou la R\u00e9p\u00e9tition<\/i>“, Aline Ferreira<\/li>\n
  • “L’Aveuglement<\/i> de Jos\u00e9 Saramago. L’Essai de la Catastrophe ou l’Utopie de l’Aveuglement”, C\u00e9lia Nunes Carvalho<\/li>\n
  • “M\u00e9moire du labyrinthe et vision anti-utopique: Les G\u00e9ants<\/i> de J. M. G. Le Cl\u00e9zio”, Maria Helena Silva<\/li>\n
  • “Probl\u00e9matique de l’identit\u00e9 et de l’Utopie chez G\u00e9rard Ak\u00e9 Loba et Alain Mabanckou”, Leonor Martins Coelho<\/li>\n<\/ul>\n

    MEM\u00d3RIA E ESQUECIMENTO<\/strong><\/p>\n

      \n
    • “Le souvenir rendu texte”, Ana Fernandes<\/li>\n
    • “O Sentido da Mem\u00f3ria. Viagens por Espa\u00e7os da Mem\u00f3ria e do Esquecimento”, Maria Jos\u00e9 Craveiro<\/li>\n
    • “A mem\u00f3ria absoluta e a mem\u00f3ria inventada”, \u00c2ngela Fernandes<\/li>\n
    • “A palavra esquecida: amn\u00e9sias e po\u00e9tica da anamnese na fic\u00e7\u00e3o medieval”, Carlos F. Clamote Carreto<\/li>\n
    • “A contamina\u00e7\u00e3o de “Delgadinha” e “Silvana”, um processo de economia da mem\u00f3ria tradicional”, Teresa Ara\u00fajo<\/li>\n
    • “M\u00e9moire <\/i>et oubli<\/i> dans la traduction des classiques pour le th\u00e9\u00e2tre”, Christine Zurbach<\/li>\n
    • “Usos e Representa\u00e7\u00f5es da Mem\u00f3ria em Quatrevingt-treize<\/i>, de Victor Hugo e em Eurico, o Presb\u00edtero<\/i>, de Alexandre Herculano<\/li>\n
    • “Os caminhos da mem\u00f3ria e a identidade nacional no romance hist\u00f3rico de tem\u00e1tica tropical: os casos de Jos\u00e9 de Alencar e Pinheiro Chagas”, Lu\u00edsa Marinho Antunes<\/li>\n
    • “Mem\u00f3rias n\u00e3o oficiais<\/i>. A constru\u00e7\u00e3o de identidades alternativas nos manifestos liter\u00e1rios”, \u00cdria Sobrinho Freire<\/li>\n
    • “History and Destiny: Faces of Memory and Oblivion”, Monica Spinidon<\/li>\n
    • “Ant\u00f3nio Lobo Antunes et Claude Simon: Arts po\u00e9tiques de l’\u00e9criture de la M\u00e9moire”, Felipe Cammaert<\/li>\n
    • “Marguerite Duras: Mem\u00f3ria e (re)constru\u00e7\u00e3o textual”, Ana Isabel Moniz<\/li>\n
    • “De Profundis Valsa Lenta<\/i>: a mem\u00f3ria de uma “n\u00e3o mem\u00f3ria”, Isa Margarida Vit\u00f3ria Severino<\/li>\n
    • “Da mem\u00f3ria e do imagin\u00e1rio “Tal e Qual o Que Era”, de David Mour\u00e3o-Ferreira”, Maria Jos\u00e9 Meira<\/li>\n
    • “Cartographies of Testimony: the role of memory in the work of L\u00eddia Jorge”, L\u00edgia Maria Pereira da Silva<\/li>\n
    • “(Re)construir a mem\u00f3ria liter\u00e1ria: a poesia de recep\u00e7\u00e3o infantil e juvenil em Alexandre O’Neill”, Carlos Nogueira<\/li>\n
    • “J. M. Coetzee’s Foe<\/i> or Memory and Language at the Crossroads of Colonial and Post-Colonial Discourse”, Adriana Alves de Paula Martins<\/li>\n
    • “Sil\u00eancios do Imp\u00e9rio – representa\u00e7\u00f5es da identidade cultural portuguesa nas entrelinhas da descoloniza\u00e7\u00e3o”, Ana Margarida Fonseca<\/li>\n
    • “Reviver para resistir \u00e0 fragmenta\u00e7\u00e3o colectica: a experi\u00eancia da rememora\u00e7\u00e3o em dois romances africanos – Maio, M\u00eas de Maria <\/i>e Al\u00e1 n\u00e3o \u00e9 Obrigado<\/i>“, Inoc\u00eancia Mata<\/li>\n<\/ul>\n

      Recens\u00f5es:<\/b><\/p>\n

        \n
      • \u00a0“”Why Write in Fragments”: Camelia Elias, The Fragment: Towards a History and Poetics of a Performative Genre<\/i> (European University Studies: Series 18; Comparative Studies, vol. 112), Bern: Peter Lang, 2004″, Ana Raquel Fernandes<\/li>\n
      • “Daniel-Henri Pageaux, Trente Essais de Litt\u00e9rature G\u00e9n\u00e9rale et Compar\u00e9e ou la Corne d’Amalth\u00e9e<\/i>“, Anabela Branco de Oliveira<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"

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