{"id":3500,"date":"2018-01-26T13:26:30","date_gmt":"2018-01-26T13:26:30","guid":{"rendered":"http:\/\/cec.letras.ulisboa.pt\/en\/?p=3500"},"modified":"2019-03-21T11:32:01","modified_gmt":"2019-03-21T11:32:01","slug":"raquel-schefer","status":"publish","type":"post","link":"https:\/\/cec.letras.ulisboa.pt\/en\/research-team\/raquel-schefer\/","title":{"rendered":"Raquel Schefer"},"content":{"rendered":"<p>Post-Doctoral Researcher<\/p>\n<p><!--more--><\/p>\n<p><strong>E-mail:<\/strong> <a href=\"mailto:raquelschefer@gmail.com\" target=\"_blank\">raquelschefer@gmail.com<\/a><\/p>\n<p><strong>Biographical note<\/strong><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignright wp-image-8434 size-thumbnail\" src=\"http:\/\/cec.letras.ulisboa.pt\/wp-content\/uploads\/2017\/09\/foto_RaquelSchefer-150x150.jpg\" alt=\"????????????????????????????????????\" width=\"150\" height=\"150\" \/><\/p>\n<p style=\"text-align: justify\">Raquel Schefer is a researcher, a filmmaker, and a film curator. She holds a\u00a0Ph.D. in Film and Audiovisual Studies from the Sorbonne Nouvelle \u2013 Paris 3 University, with a dissertation on Mozambican revolutionary cinema, a Master in Documentary Cinema from the University of Cinema of Buenos Aires, and a degree in Communication Sciences from the New University of Lisbon. She published the book \u201cEl Autorretrato en el Documental\u201d (\u201cSelf-Portrait in Documentary\u201d) in 2008, in Argentina, as well as several book chapters and articles in Portugal and abroad. She was an Assistant Professor at the University of Grenoble Alpes and a Teaching Assistant at Sorbonne Nouvelle &#8211; Paris 3 University, Paris Est &#8211; Marne-la-Vall\u00e9e University, Rennes 2 University, and the University of Cinema of Buenos Aires. Currently, she is a post-doctoral FCT fellow at the CEC\/University of Lisbon and the University of the Western Cape, and a co-editor of the quarterly of theory and history of cinema \u201cLa Furia Umana\u201d. Her research focuses on the articulations between aesthetics and politics, avant-garde and experimental cinema, political and anti-colonial cinema, the relationships between modernism and primitivism, and the self-portrait in cinema.<\/p>\n<p style=\"text-align: justify\"><strong>Main areas of research<\/strong><\/p>\n<ul>\n<li style=\"text-align: justify\">Aesthetics and politics;<\/li>\n<li style=\"text-align: justify\">Avant-garde and experimental cinema;<\/li>\n<li style=\"text-align: justify\">Political and anti-colonial cinema;<\/li>\n<li style=\"text-align: justify\">Modernism and primitivism;<\/li>\n<li style=\"text-align: justify\">Self-portrait in cinema.<\/li>\n<\/ul>\n<p><strong>Selected publications<\/strong><\/p>\n<div>\n<ul>\n<li><em>El Autorretrato en el Documental. Figuras \/ M\u00e1quinas \/ Im\u00e1genes<\/em>. Buenos Aires: Ediciones\u00a0 Universidad del Cine, 2008, 216 p. Link (re-edi\u00e7\u00e3o electr\u00f3nica de 2013). <a href=\"http:\/\/ucine.edu.ar\/ebooks\/El_autorretrato_en_el_documental.pdf\" target=\"_blank\">More info<\/a>.<\/li>\n<li>\u201cBetween the Visible and the Invisible: \u2018Mueda, Mem\u00f3ria e Massacre\u2019 by Ruy Guerra and the Cultural Forms of the Makonde Plateau\u201d. <em>(Re)imagining African Independence. Film,Visual Arts and the Fall of the Portuguese Empire<\/em> \/ ed. por Maria do Carmo Pi\u00e7arra e Teresa Castro. Oxford: Peter Lang, 2017, pp. 47-64. <a href=\"https:\/\/www.peterlang.com\/view\/product\/79297\" target=\"_blank\">More info<\/a>.<\/li>\n<li>\u201cThe Return of the Newsreel (2011-2016) in Contemporary Cinematic Representations of the Political Event\u201d. <em>Comparat\/ive Cinema<\/em>. N\u00famero especial <em>EZTETYKA <\/em>(ed. por Albert Elduque e Gonzalo de Lucas), 2017, n\u00ba 9, Maio de 2017, Bilingue Ingl\u00eas-Castelhano. <a href=\"http:\/\/www.ocec.eu\/cinemacomparativecinema\/index.php\/en\/36-n-9-eng\/484-the-return-of-the-newsreel-eng\" target=\"_blank\">More info<\/a> (english). <a href=\"http:\/\/www.ocec.eu\/cinemacomparativecinema\/index.php\/es\/34-n-9-esp\/483-el-retorno-del-newsreel-esp\" target=\"_blank\">More info<\/a> (c<span id=\"result_box\" class=\"short_text\" lang=\"en\"><span class=\"\">astilian<\/span><\/span>).<\/li>\n<li>\u201c\u2018Mueda, Mem\u00f3ria e Massacre\u2019, de Ruy Guerra, o projecto cinematogr\u00e1fico mo\u00e7ambicano e as formas culturais do Planalto de Mueda\u201d, <em>Comunica\u00e7\u00e3o e Sociedade<\/em>. N\u00famero especial \u201cImagin\u00e1rios Coloniais: Propaganda, Milit\u00e2ncia e \u2018Resist\u00eancia\u2019\u201d (ed. por Maria do Carmo Pi\u00e7arra, Teresa Castro e Rosa Cabecinhas), Universidade do Minho, Junho \u00a0 de 2016, n\u00ba 29, p. 27-77 (Bilingue Portugu\u00eas-Ingl\u00eas). <a href=\"http:\/\/revistacomsoc.pt\/index.php\/comsoc\/article\/view\/2408\" target=\"_blank\">More info<\/a> (portuguese). <a href=\"http:\/\/revistacomsoc.pt\/index.php\/comsoc\/article\/view\/2409\" target=\"_blank\">More info<\/a> (english).<\/li>\n<li>\u201cRepresenta\u00e7\u00f5es cinematogr\u00e1ficas da ditadura militar argentina (1976-1983)\u201d. <em>Ditaduras Revisitadas<\/em> \/ ed. por Denize Ara\u00fajo, Eduardo Morettin e Vitor Reia-Baptista. Faro: CIAC\/Universidade do Algarve, 2016, pp. 124-151. <a href=\"https:\/\/drive.google.com\/file\/d\/0B-2f45zL8GWTZW42eE14RmdWYVE\/view\" target=\"_blank\">More info<\/a>.<\/li>\n<li>\u201cMilitante e experimental. Apuntes sobre pol\u00edtica y po\u00e9tica en el cine argentino\u201d. <em>Po\u00e9ticas\u00a0 del Movimiento. Aproximaciones al cine y v\u00eddeo experimental argentino<\/em> \/ ed. por Clara Garavelli e Alejandra Torres. Buenos Aires: Libraria, 2015, pp. 97-111. <a href=\"http:\/\/www.librariaediciones.com.ar\/poeticas-del-movimiento\/\" target=\"_blank\">More info<\/a>.<\/li>\n<li>\u201cThe Birth of Fiction: On \u2018Mueda, Mem\u00f3ria e Massacre\u2019, by Ruy Guerra\u201d.<em> Africa&#8217;s Lost Classics: New Histories of African Cinema<\/em> \/ ed. por Lizelle Bisschoff e David Murphy. Oxford: Legenda, Maney Publishing, 2014, pp. 168-173. <a href=\"https:\/\/www.stir.ac.uk\/research\/hub\/publication\/21345\" target=\"_blank\">More info<\/a>.<\/li>\n<li>\u201cFictions of the Liberation Struggle: Ruy Guerra, Jos\u00e9 Cardoso, Zdravko Velimirovic\u201d, <em>Kronos: Southern African Histories<\/em>. N\u00famero especial <em>The Liberation Script in Mozambican History<\/em>, ed. por Rui Assubuji, Paolo Israel e Drew Thompson, XXXIX, Novembro de 2013, pp. 298-315. <a href=\"https:\/\/networks.h-net.org\/node\/7926\/discussions\/12697\/toc-kronos-southern-african-histories-39-2013-special-issue\" target=\"_blank\">More info<\/a>.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/cec.letras.ulisboa.pt\/en\/research-groups\/citcom\/visual-culture-migration-globalization-and-decolonization\/\">Visual Culture, Migration, Globalization and Decolonization \/ CITCOM<\/a><\/p>\n<p><a href=\"http:\/\/cec.letras.ulisboa.pt\/en\/post-doctoral-projects-in-progress\/raquel-schefer-sfrhbpd1208842016\/\">The trance of the real: modernism and primitivism in anti-colonial and post-colonial cinema<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Post-Doctoral Researcher<\/p>\n","protected":false},"author":20,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[61,14],"tags":[],"_links":{"self":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts\/3500"}],"collection":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/comments?post=3500"}],"version-history":[{"count":6,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts\/3500\/revisions"}],"predecessor-version":[{"id":5821,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts\/3500\/revisions\/5821"}],"wp:attachment":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/media?parent=3500"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/categories?post=3500"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/tags?post=3500"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}