{"id":3484,"date":"2018-01-25T20:25:23","date_gmt":"2018-01-25T20:25:23","guid":{"rendered":"http:\/\/cec.letras.ulisboa.pt\/en\/?p=3484"},"modified":"2019-03-21T11:20:11","modified_gmt":"2019-03-21T11:20:11","slug":"ivan-villarmea","status":"publish","type":"post","link":"https:\/\/cec.letras.ulisboa.pt\/en\/research-team\/ivan-villarmea\/","title":{"rendered":"Iv\u00e1n Villarmea \u00c1lvarez"},"content":{"rendered":"<p>PhD Researcher<\/p>\n<p><!--more--><\/p>\n<p><strong>E-mail:<\/strong> <a href=\"mailto:villarmea@letras.ulisboa.pt\">villarmea@letras.ulisboa.pt<\/a><\/p>\n<p><strong><img decoding=\"async\" loading=\"lazy\" class=\" wp-image-3486 alignright\" src=\"http:\/\/cec.letras.ulisboa.pt\/en\/wp-content\/uploads\/sites\/2\/2018\/01\/Iv\u00e1n-Villarmea-\u00c1lvarez-Ver\u00e3o-2015_foto-254x300.jpg\" alt=\"Iv\u00e1n Villarmea \u00c1lvarez (Ver\u00e3o 2015)_foto\" width=\"160\" height=\"189\" srcset=\"https:\/\/cec.letras.ulisboa.pt\/en\/wp-content\/uploads\/sites\/2\/2018\/01\/Iv\u00e1n-Villarmea-\u00c1lvarez-Ver\u00e3o-2015_foto-254x300.jpg 254w, https:\/\/cec.letras.ulisboa.pt\/en\/wp-content\/uploads\/sites\/2\/2018\/01\/Iv\u00e1n-Villarmea-\u00c1lvarez-Ver\u00e3o-2015_foto.jpg 397w\" sizes=\"(max-width: 160px) 100vw, 160px\" \/>Biographical note<\/strong><\/p>\n<p>Iv\u00e1n Villarmea \u00c1lvarez is a film critic, researcher, professor and programmer who currently works as a postdoctoral researcher at the Universidade de Santiago de Compostela. He holds a Ph. D. from the Universidad de Zaragoza, and has been a visiting scholar at the Universidade de Lisboa, the University of Southern California, the California Institute of the Arts, the University of Roehampton, the Universidad de La Habana and the Universidad Estatal de Milagro, in Ecuador. His research career is focused on the representation of space and landscape in film, a subject on which he has published the book Documenting Cityscapes. Urban Change in Contemporary Non-Fiction Film (2015) and a Special Issue \u2013edited with Filipa Ros\u00e1rio\u2013 in Aniki. Portuguese Journal of the Moving Image (2017). Moreover, since 2013, he has co-directed the online film journal A Cuarta Parede, for which he has co-edited the volume Jugar con la Memoria. El Cine Portugu\u00e9s en el Siglo XXI (2014).<\/p>\n<p><strong>Main areas of research<\/strong><\/p>\n<ul>\n<li>Iberian Cinemas;<\/li>\n<li>Non-Fiction Cinema;<\/li>\n<li>Cinema and the City;<\/li>\n<li>Cinema and Landscape;<\/li>\n<li>Great Recession.<\/li>\n<\/ul>\n<p><strong>Selected publications<\/strong><\/p>\n<p><em><strong>Books<\/strong><\/em><\/p>\n<ul>\n<li>Villarmea \u00c1lvarez, Iv\u00e1n. 2015. <em>Documenting Cityscapes. Urban Change in Contemporary Non-Fiction Film<\/em>. Londres e Nova Iorque: Wallflower Press. <a href=\"https:\/\/cup.columbia.edu\/book\/documenting-cityscapes\/9780231174534\" target=\"_blank\">More info<\/a>.<\/li>\n<li>Mu\u00f1oz Fern\u00e1ndez, Horacio &amp; Villarmea \u00c1lvarez, Iv\u00e1n. (eds.) 2014. <em>Jugar con la memoria. El cine portugu\u00e9s en el siglo XXI<\/em>. Santander, Espanha: Shangrila. <a href=\"http:\/\/shangrilaediciones.com\/pages\/bakery\/the-searchers-libros-2-98.php\" target=\"_blank\">More info<\/a>.<\/li>\n<\/ul>\n<p><strong><em>Book Chapters<\/em><br \/>\n<\/strong><\/p>\n<ul>\n<li>Villarmea \u00c1lvarez, Iv\u00e1n. 2016. \u201cBlinking Spaces: <em>Koyaanisqatsi<\/em>\u2019s Cinematic City\u201d, em Su\u00e1rez, Juan A. e Walton, David (eds.) <em>Culture, Space and Power: Blurred Lines<\/em>. Lanham, MD: Lexington Books: 33-43. <a href=\"https:\/\/www.academia.edu\/20022902\/Blinking_Spaces_Koyaanisqatsi_s_Cinematic_City\" target=\"_blank\">More info<\/a>.<\/li>\n<li>Villarmea \u00c1lvarez, Iv\u00e1n. 2016. \u201cTransnational Identities in Galician Documentary Film: Alberte Pag\u00e1n&#8217;s <em>Bs. As. <\/em>and Xurxo Chirro&#8217;s <em>Vikingland<\/em>\u201d, em Oliete-Aldea, Elena; Oria, Beatriz; Taranc\u00f3n, Juan A. (eds.) <em>Global Genres\/Local Films: The Transnational Dimension of Spanish Cinema<\/em>. Nova Iorque, NY: Bloomsbury Academic: 231-245. <a href=\"https:\/\/www.academia.edu\/19993349\/Transnational_Identities_in_Galician_Documentary_Film_Alberte_Pag%C3%A1ns_Bs._As._and_Xurxo_Chirros_Vikingland\" target=\"_blank\">More info<\/a>.<\/li>\n<li>Villarmea \u00c1lvarez, Iv\u00e1n. 2014. \u201cEl hallazgo de una nueva ficci\u00f3n documental. La Trilog\u00eda de Fontainhas de Pedro Costa\u201d., em Mu\u00f1oz Fern\u00e1ndez, Horacio &amp; Villarmea \u00c1lvarez, Iv\u00e1n (eds.) <em>Jugar con la memoria. El cine portugu\u00e9s en el siglo XXI<\/em>. Santander, Espanha: Shangrila: 20-49. <a href=\"https:\/\/www.academia.edu\/7730877\/El_Hallazgo_de_una_Nueva_Ficci%C3%B3n_Documental._La_Trilog%C3%ADa_de_Fontainhas_de_Pedro_Costa\" target=\"_blank\">More info<\/a>.<\/li>\n<\/ul>\n<p><strong><em>Articles in Scientific Magazines<\/em><br \/>\n<\/strong><\/p>\n<ul>\n<li>Ros\u00e1rio, Filipa &amp; Villarmea \u00c1lvarez, Iv\u00e1n. 2017. \u201cA paisagem no cinema: imagens para pensar o tempo atrav\u00e9s do espa\u00e7o\u201d, <em>Aniki. Revista Portuguesa da Imagem em Movimento <\/em>4 (1): 55-63. <a href=\"http:\/\/aim.org.pt\/ojs\/index.php\/revista\/article\/view\/304\" target=\"_blank\">More info<\/a>.<\/li>\n<li>Villarmea \u00c1lvarez, Iv\u00e1n. 2016. \u201cMudar de Perspetiva: A Dimens\u00e3o Transnacional do Cinema Portugu\u00eas Contempor\u00e2neo\u201d, <em>Aniki. Revista Portuguesa da Imagem em Movimento <\/em>3 (1): 101-120. <a href=\"http:\/\/aim.org.pt\/ojs\/index.php\/revista\/article\/view\/212\" target=\"_blank\">More info<\/a>.<\/li>\n<li>Mu\u00f1oz Fern\u00e1ndez, Horacio &amp; Villarmea \u00c1lvarez, Iv\u00e1n. 2015. \u201cAesthetic Tendencies in Contemporary Portuguese Cinema\u201d, <em>Cinema Comparat\/ive Cinema <\/em>6: 39-46. <a href=\"http:\/\/www.ocec.eu\/cinemacomparativecinema\/index.php\/es\/25-n-6-cine-portugues\/300-tendencias-esteticas-del-cine-portugues-contemporaneo\" target=\"_blank\">More info<\/a>.<\/li>\n<\/ul>\n<p>Some publications are available in <a href=\"http:\/\/repositorio.ul.pt\/browse?type=author&amp;value=Villarmea+%C3%81lvarez%2C+Iv%C3%A1n\" target=\"_blank\">the repository of the University of Lisbon<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/cec.letras.ulisboa.pt\/en\/research-groups\/locus\/cilm-city-and-insecurity-in-literature-and-the-media\/\">CILM \u2013 City and (In)Security in Literature and the Media \/ LOCUS<\/a><\/p>\n<p><a href=\"http:\/\/cec.letras.ulisboa.pt\/en\/research-groups\/theleme\/cinema-and-the-world-studies-on-space-and-cinema\/\">Cinema and the World \u2013 Studies on Space and Cinema \/ THELEME<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>PhD Researcher<\/p>\n","protected":false},"author":20,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[61,14],"tags":[],"_links":{"self":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts\/3484"}],"collection":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/comments?post=3484"}],"version-history":[{"count":6,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts\/3484\/revisions"}],"predecessor-version":[{"id":5784,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts\/3484\/revisions\/5784"}],"wp:attachment":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/media?parent=3484"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/categories?post=3484"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/tags?post=3484"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}