{"id":3243,"date":"2018-01-18T16:06:02","date_gmt":"2018-01-18T16:06:02","guid":{"rendered":"http:\/\/cec.letras.ulisboa.pt\/en\/?p=3243"},"modified":"2019-03-21T11:31:20","modified_gmt":"2019-03-21T11:31:20","slug":"penelope-patrix","status":"publish","type":"post","link":"https:\/\/cec.letras.ulisboa.pt\/en\/research-team\/penelope-patrix\/","title":{"rendered":"P\u00e9n\u00e9lope Patrix"},"content":{"rendered":"

Post-doctoral Researcher<\/p>\n

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E-mail:<\/strong> ppatrix@letras.ulisboa.pt<\/a><\/p>\n

\"foto_Penelope\"Biographical note<\/strong><\/p>\n

P\u00e9n\u00e9lope Patrix is a Postdoctoral Fellow (FCT) at the Centre for Comparative Studies (CEC) of the Universidade de Lisboa and an associate researcher at the Centre d\u2019\u00c9tudes et de Recherches Interdisciplinaire en Lettres, Arts et Cin\u00e9ma (CERILAC) of the Universit\u00e9 Paris Diderot. She has lectured at the School of Arts and Humanities of the Universidade de Lisboa,\u00a0at the Department of Plastic Arts of the Universit\u00e9 Panth\u00e9on-Sorbonne and at the Department of Literature, Arts and Cinema of the Universit\u00e9 Paris Diderot, where she received her PhD in Literature and Arts (spec. Comparative Literature\/Arts) with the thesis “Imaginaire des bas-fonds et po\u00e9tique ‘canaille’ dans la chanson urbaine. Le tango et le fado, des marges au patrimoine immat\u00e9riel” (2014). In 2015-2016 she was Postdoctoral Fellow at the Laboratoire d\u2019excellence Cr\u00e9ation, Arts, Patrimoines (Labex CAP), attached to the Centre de Recherche sur les\u00a0Arts et le\u00a0Language (CRAL) of the \u00c9cole des Hautes \u00c9tudes em Sciences Sociales (EHESS). In 2016-2017 she was Visiting Fellow at the Institute of Social Science (ICS) of the Universidade de Lisboa (FMSH\/ICS funding). Her current research focuses on poetics and narratives of urban songs, in particular the \u2018heritagisation\u2019 of Lisbon fado (mediation\/remediation), and on an epistemology of song and performative poetry (intermediality, relations between text, music and voice, challenges of comparatism). At the CEC, she is involved in activities of the THELEME group \u2013 Interart and Intermedia Studies<\/em>. Since 2009, she has organised and participated in various academic activities and publications around modern and contemporary song, oral and performative poetries, Intangible Heritage and heritagisation of popular culture, marginal and subaltern arts and poetics, and the relations between literature, arts and anthropology, in France, Portugal and Brasil.<\/p>\n

Main areas of research<\/strong><\/p>\n