{"id":282,"date":"2007-05-10T15:29:33","date_gmt":"2007-05-10T15:29:33","guid":{"rendered":"http:\/\/stage2.comparatistas.umadesign.com\/en\/2007\/05\/10\/concerto-das-artes\/"},"modified":"2007-05-10T15:29:33","modified_gmt":"2007-05-10T15:29:33","slug":"concerto-das-artes","status":"publish","type":"post","link":"https:\/\/cec.letras.ulisboa.pt\/en\/done\/concerto-das-artes\/","title":{"rendered":"Concerto das Artes"},"content":{"rendered":"<p><HR id=null>  <TABLE class=\"\" cellSpacing=10 cellPadding=10 width=170 align=right border=0> <TBODY> <TR vAlign=top> <TD class=legendas_ima align=middle class=\"legendas_ima\"> <P><\/P> <P>{publicacoes}<\/P><\/TD><\/TR><\/TBODY><\/TABLE> <P><B>Organization:<\/B> Kelly Bas\u00edlio, M\u00e1rio Jorge Torres, Paula Mor\u00e3o and Teresa Amado<BR><B>Year:<\/B> 2007<BR><B>Publisher:<\/B> Porto &#8211; Campo das Letras <\/P> <P class=subtitulo>Synopsis:<\/P> <BLOCKQUOTE> <P><EM>Concerto das Artes<\/EM> gathers a cluster of texts by portuguese and foreign authors on the arts, broadly&nbsp;conceived,&nbsp;and on the relationship between literature and other arts. Thus, apart from essays which have their focus on the visual arts, in this volume the reader will be able to find other pieces on music, theatre, architecture, and cinema. Some essays&nbsp;are&nbsp;new,&nbsp;other, though dispersed, have&nbsp;already been published and they are now gathered in this book, since they constitute reference texts in this field of study. It is designed, not only to scholars from the area of the Humanities,&nbsp;but also to creators and to a educated readership. As such, this anthology wishes to overcome a gap&nbsp;in an area &#8211; that of the theory of arts and the relationship between arts &#8211; which has been raising the interest of scholars, artists, and readers of all sorts. <\/P><\/BLOCKQUOTE> <P class=subtitulo>Index<\/P> <UL> <LI>Introdu\u00e7\u00e3o, Kelly Bas\u00edlio<\/LI><\/UL> <P class=subtitulo>Pre\u00e2mbulo te\u00f3rico<\/P> <UL> <LI>A obra de arte \u2013 iman\u00eancia e transcend\u00eancia, G\u00e9rard Genette<\/LI> <LI>A conduta est\u00e9tica, Jean-Marie Schaeffer<\/LI> <LI>Frente e perfil enquanto formas simb\u00f3licas, Meyer Schapiro<\/LI> <LI>A ret\u00f3rica: heur\u00edstica e m\u00e9todo em Kant, Herman Parret<\/LI><\/UL> <P class=subtitulo>I \u2013 LITERATURA E OUTRAS ARTES<\/P> <BLOCKQUOTE> <P>1.&nbsp;A letra e a imagem: uma rela\u00e7\u00e3o (aqui) privilegiada<\/P> <P>a)&nbsp;Ut pictura poesis<\/P> <UL> <LI>Ut pictura poesis, Mario Praz<\/LI> <LI>Imagem e palavra, espa\u00e7o e tempo: a exalta\u00e7\u00e3o \u2013 e a exaspera\u00e7\u00e3o \u2013 da ekphrasis enquanto assunto, Murray Krieger<\/LI> <LI>Introdu\u00e7\u00e3o \u2013 Retratar, \u00c9douard Pommier<\/LI> <LI>Retrato e auto-retrato \u2013 Fronteiras e limites, Paula Mor\u00e3o<\/LI><\/UL> <P>b)&nbsp;Perspectiva hist\u00f3rica<\/P> <P>Idade M\u00e9dia<\/P> <UL> <LI>Textos com imagens na Idade M\u00e9dia, Teresa Amado<\/LI> <LI>Os fundamentos da iconografia, Jean Wirth<\/LI> <LI>Programas e instru\u00e7\u00f5es para os iluminadores, Jonathan J. G. Alexander<\/LI><\/UL> <P>Idade Cl\u00e1ssica<\/P> <UL> <LI>A Teoria da Arte no Renascimento e a eleva\u00e7\u00e3o da Paisagem, Ernst Hans Gombrich<\/LI> <LI>Varia\u00e7\u00f5es sobre um retrato ausente: os auto-retratos de Poussin 1649-1659, Louis Marin<\/LI> <LI>O monstro na paisagem \u2013 Diderot e a natureza do Sublime, Fernando Guerreiro<\/LI><\/UL> <P>A inven\u00e7\u00e3o da Modernidade no s\u00e9culo XIX<\/P> <UL> <LI>\u201cImpressionismo liter\u00e1rio\u201d \u2013 uma revis\u00e3o do conceito, Bernard Vouilloux<\/LI><\/UL> <P>Tend\u00eancias contempor\u00e2neas<\/P> <UL> <LI>Ut pictura theoria: pintura abstracta e linguagem, W. T. Mitchell<\/LI> <LI>\u201cO Crime do Padre Amaro\u201d de Paula Rego, Kelly Bas\u00edlio<\/LI><\/UL> <P>2.&nbsp;Outros di\u00e1logos<\/P><\/BLOCKQUOTE> <BLOCKQUOTE> <P class=subtitulo>Literatura e m\u00fasica<\/P> <UL> <LI>A conjuga\u00e7\u00e3o de m\u00fasica e poesia na Pen\u00ednsula Ib\u00e9rica, da Idade M\u00e9dia ao Renascimento, Manuel Pedro Ferreira<\/LI><\/UL> <P class=subtitulo>Literatura e teatro<\/P> <UL> <LI>Teatro e Literatura, Maria Jo\u00e3o Brilhante<\/LI><\/UL> <P class=subtitulo>Literatura e Cinema<\/P> <UL> <LI>Hist\u00f3ria de rela\u00e7\u00f5es complexas, Jeanne-Marie Clerc<\/LI><\/UL><\/BLOCKQUOTE> <P class=subtitulo>II \u2013 O CINEMA, HOJE, COMO PLATAFORMA DAS ARTES<\/P> <BLOCKQUOTE> <P><BR>Cinema e m\u00fasica<\/P> <UL> <LI>Correspond\u00eancia entre o cinema de Visconti e o teatro de \u00f3pera, Jo\u00e3o Paes<\/LI><\/UL> <P>Cinema e Pintura<\/P> <UL> <LI>A parte do sonho \u2013 a prop\u00f3sito de Hitchcock e Dali, do surrealismo e do onirismo, Nathalie Bondil-Poupard<\/LI><\/UL> <P>Cinema e arquitectura<\/P> <UL> <LI>Cinema, arquitecturas, Ant\u00f3nio Rodrigues<\/LI><\/UL> <P>Cinema e cultura<\/P> <UL> <LI>O Cinema, a Literatura e o Carnavalesco, Robert Stam<\/LI><\/UL><\/BLOCKQUOTE><\/p>\n","protected":false},"excerpt":{"rendered":"<p>{publicacoes} Organization: Kelly Bas\u00edlio, M\u00e1rio Jorge Torres, Paula Mor\u00e3o and Teresa AmadoYear: 2007Publisher: Porto &#8211; Campo das Letras Synopsis: Concerto das Artes gathers a cluster of texts by portuguese and foreign authors on the arts, broadly&nbsp;conceived,&nbsp;and on the relationship between literature and other arts. Thus, apart from essays which have their focus on the visual &hellip; <a href=\"https:\/\/cec.letras.ulisboa.pt\/en\/done\/concerto-das-artes\/\">Continued<\/a><\/p>\n","protected":false},"author":4,"featured_media":281,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[18],"tags":[],"_links":{"self":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts\/282"}],"collection":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/comments?post=282"}],"version-history":[{"count":0,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/posts\/282\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/media\/281"}],"wp:attachment":[{"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/media?parent=282"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/categories?post=282"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cec.letras.ulisboa.pt\/en\/wp-json\/wp\/v2\/tags?post=282"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}